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Errors And Residuals. A ritual / Sarah Van Marcke
Titre de série : Errors And Residuals Titre : A ritual Type de document : texte imprimé Auteurs : Sarah Van Marcke, Auteur Editeur : Auto-édition Année de publication : 2018 Importance : [32] p. Présentation : ill. en coul. Format : 26 x 20 cm ISBN/ISSN/EAN : 978-94-93052-01-7 Prix : 9 EUR Langues : Anglais (eng) Tags : Habitations -- Aménagement Photographies Résumé : ‘Errors and residuals’ is an ongoing series of small artist publications by Sarah Van Marcke, in which she explores the archive of Ignace D.K., a man she never knew in life. Ignace died in 2013, a few months before her parents would move into the house in the woods that was his home. In this house Van Marcke discovered Ignace’s universe, perfectly organised, ordered and orchestrated. Everything that was left behind was left for a reason; he made sure that, even after his death, everything would remain as he felt it should be. Van Marcke uses the archive as a means of talking about our urge to exercise control and the strategies we develop to try and protect ourselves from the contingent nature of existence. In the part titled ‘a ritual’, Van Marcke observes how people sometimes use a form of fiction in an attempt to get a grip on a disrupted reality. A fiction that can be expressed in rituals, images, literature, among other forms. Permalink : http://www.noccan.org/cla/opac_css/index.php?lvl=notice_display&id=5075 Errors And Residuals. A ritual [texte imprimé] / Sarah Van Marcke, Auteur . - Auto-édition, 2018 . - [32] p. : ill. en coul. ; 26 x 20 cm.
ISBN : 978-94-93052-01-7 : 9 EUR
Langues : Anglais (eng)
Tags : Habitations -- Aménagement Photographies Résumé : ‘Errors and residuals’ is an ongoing series of small artist publications by Sarah Van Marcke, in which she explores the archive of Ignace D.K., a man she never knew in life. Ignace died in 2013, a few months before her parents would move into the house in the woods that was his home. In this house Van Marcke discovered Ignace’s universe, perfectly organised, ordered and orchestrated. Everything that was left behind was left for a reason; he made sure that, even after his death, everything would remain as he felt it should be. Van Marcke uses the archive as a means of talking about our urge to exercise control and the strategies we develop to try and protect ourselves from the contingent nature of existence. In the part titled ‘a ritual’, Van Marcke observes how people sometimes use a form of fiction in an attempt to get a grip on a disrupted reality. A fiction that can be expressed in rituals, images, literature, among other forms. Permalink : http://www.noccan.org/cla/opac_css/index.php?lvl=notice_display&id=5075 Réservation
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Code-barres Cote Support Localisation Section Disponibilité 2959 VAN Livre CLA livres de... Disponible Heidi Bucher & Gordon Matta-Clark / Jonas Meier
Titre : Heidi Bucher & Gordon Matta-Clark Type de document : texte imprimé Auteurs : Jonas Meier, Concepteur ; Heidi Bucher, Artiste ; Gordon Matta-Clark, Artiste Editeur : Silence Editions Année de publication : [2017] Autre Editeur : Venise [Italie] : Alma Zevi Importance : 1 depl. de [14] p. Présentation : ill. en noir et blanc Format : 18 x 14 cm Prix : 18 EUR Langues : Anglais (eng) Tags : Bucher, Heidi (1926-1993) Matta-Clark, Gordon (1943-1978) Art de performance Sculpture Peinture -- 20e siècle Habitations -- Aménagement Logement insalubre Photographies Livres accordéon Résumé : Released on the occasion of the exhibition Floors at ALMA ZEVI in Venice, the book gathers archival photographs taken in the 1970s (some of which have never been reproduced before) that offer an insight into the artists’ respective creative processes. The two artists made work that evaded categorization by fusing together elements of sculpture, painting, and performance. Gordon Matta-Clark cut into the surfaces and structures of buildings, creating fragile cavities and unexpected lightwells. Meanwhile, Heidi Bucher cast floors and walls with resins and latex, creating new surfaces that are both rough and elegant. Using the format of the leporello, the publication brings together images that document the making of Gordon Matta-Clark’ series Bronx Floors (1972) as well as Heidi Bucher’s Borg. Heidi Bucher can be seen, in her own words, ‘skinning’ the walls and floor of her studio in Zurich while Gordon Matta-Clark’s proof prints for the series Bronx Floors document one of his most iconic interventions. This publication reminds us of the importance of original documentation to appreciate the two artists’ practices, which are ephemeral, site-specific, and performative. Permalink : http://www.noccan.org/cla/opac_css/index.php?lvl=notice_display&id=5243 Heidi Bucher & Gordon Matta-Clark [texte imprimé] / Jonas Meier, Concepteur ; Heidi Bucher, Artiste ; Gordon Matta-Clark, Artiste . - Silence Editions : Venise [Italie] : Alma Zevi, [2017] . - 1 depl. de [14] p. : ill. en noir et blanc ; 18 x 14 cm.
18 EUR
Langues : Anglais (eng)
Tags : Bucher, Heidi (1926-1993) Matta-Clark, Gordon (1943-1978) Art de performance Sculpture Peinture -- 20e siècle Habitations -- Aménagement Logement insalubre Photographies Livres accordéon Résumé : Released on the occasion of the exhibition Floors at ALMA ZEVI in Venice, the book gathers archival photographs taken in the 1970s (some of which have never been reproduced before) that offer an insight into the artists’ respective creative processes. The two artists made work that evaded categorization by fusing together elements of sculpture, painting, and performance. Gordon Matta-Clark cut into the surfaces and structures of buildings, creating fragile cavities and unexpected lightwells. Meanwhile, Heidi Bucher cast floors and walls with resins and latex, creating new surfaces that are both rough and elegant. Using the format of the leporello, the publication brings together images that document the making of Gordon Matta-Clark’ series Bronx Floors (1972) as well as Heidi Bucher’s Borg. Heidi Bucher can be seen, in her own words, ‘skinning’ the walls and floor of her studio in Zurich while Gordon Matta-Clark’s proof prints for the series Bronx Floors document one of his most iconic interventions. This publication reminds us of the importance of original documentation to appreciate the two artists’ practices, which are ephemeral, site-specific, and performative. Permalink : http://www.noccan.org/cla/opac_css/index.php?lvl=notice_display&id=5243 Exemplaires
Code-barres Cote Support Localisation Section Disponibilité aucun exemplaire Heidi Bucher & Gordon Matta-Clark / Jonas Meier
Titre : Heidi Bucher & Gordon Matta-Clark Type de document : texte imprimé Auteurs : Jonas Meier, Concepteur ; Heidi Bucher, Artiste ; Gordon Matta-Clark, Artiste Editeur : Silence Editions Année de publication : [2017] Autre Editeur : Venise [Italie] : Alma Zevi Importance : 1 depl. de [14] p. Présentation : ill. en noir et blanc Format : 18 x 14 cm Prix : 18 EUR Langues : Anglais (eng) Tags : Bucher, Heidi (1926-1993) Matta-Clark, Gordon (1943-1978) Art de performance Sculpture Peinture -- 20e siècle Habitations -- Aménagement Logement insalubre Photographies Livres accordéon Résumé : Released on the occasion of the exhibition Floors at ALMA ZEVI in Venice, the book gathers archival photographs taken in the 1970s (some of which have never been reproduced before) that offer an insight into the artists’ respective creative processes. The two artists made work that evaded categorization by fusing together elements of sculpture, painting, and performance. Gordon Matta-Clark cut into the surfaces and structures of buildings, creating fragile cavities and unexpected lightwells. Meanwhile, Heidi Bucher cast floors and walls with resins and latex, creating new surfaces that are both rough and elegant. Using the format of the leporello, the publication brings together images that document the making of Gordon Matta-Clark’ series Bronx Floors (1972) as well as Heidi Bucher’s Borg. Heidi Bucher can be seen, in her own words, ‘skinning’ the walls and floor of her studio in Zurich while Gordon Matta-Clark’s proof prints for the series Bronx Floors document one of his most iconic interventions. This publication reminds us of the importance of original documentation to appreciate the two artists’ practices, which are ephemeral, site-specific, and performative. Permalink : http://www.noccan.org/cla/opac_css/index.php?lvl=notice_display&id=6486 Heidi Bucher & Gordon Matta-Clark [texte imprimé] / Jonas Meier, Concepteur ; Heidi Bucher, Artiste ; Gordon Matta-Clark, Artiste . - Silence Editions : Venise [Italie] : Alma Zevi, [2017] . - 1 depl. de [14] p. : ill. en noir et blanc ; 18 x 14 cm.
18 EUR
Langues : Anglais (eng)
Tags : Bucher, Heidi (1926-1993) Matta-Clark, Gordon (1943-1978) Art de performance Sculpture Peinture -- 20e siècle Habitations -- Aménagement Logement insalubre Photographies Livres accordéon Résumé : Released on the occasion of the exhibition Floors at ALMA ZEVI in Venice, the book gathers archival photographs taken in the 1970s (some of which have never been reproduced before) that offer an insight into the artists’ respective creative processes. The two artists made work that evaded categorization by fusing together elements of sculpture, painting, and performance. Gordon Matta-Clark cut into the surfaces and structures of buildings, creating fragile cavities and unexpected lightwells. Meanwhile, Heidi Bucher cast floors and walls with resins and latex, creating new surfaces that are both rough and elegant. Using the format of the leporello, the publication brings together images that document the making of Gordon Matta-Clark’ series Bronx Floors (1972) as well as Heidi Bucher’s Borg. Heidi Bucher can be seen, in her own words, ‘skinning’ the walls and floor of her studio in Zurich while Gordon Matta-Clark’s proof prints for the series Bronx Floors document one of his most iconic interventions. This publication reminds us of the importance of original documentation to appreciate the two artists’ practices, which are ephemeral, site-specific, and performative. Permalink : http://www.noccan.org/cla/opac_css/index.php?lvl=notice_display&id=6486 Réservation
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Code-barres Cote Support Localisation Section Disponibilité 3126 MEI Livre CLA livres de... Disponible