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Notre pain quotidien / Lalie Thébault Maviel
Titre : Notre pain quotidien Type de document : texte imprimé Auteurs : Lalie Thébault Maviel, Auteur Editeur : September Books Année de publication : 2022 Importance : 175 p. + 1 feuil. Présentation : ill. en coul. Format : 30 x 21 cm ISBN/ISSN/EAN : 978-2-490-57209-0 Prix : 30 EUR Langues : Français (fre) Tags : Collectionneurs et collections – Pain Aliments Photographies Résumé : « Il y a le pain religieux que l’on bénit, le pain social que l’on met sur la table, le pain politique qui provoque des révoltes, le pain touristique que l’on porte sous le bras, le pain gastronomique que l’on accommode de milles façons. Le pain est davantage porteur de sens que de connaissance. » Marie Astier, "Quel pain voulons-nous ?", Edition du Seuil, Septembre 2016. Le livre Notre pain quotidien se présente comme une encyclopédie lacunaire et subjective du pain, qui rend compte de sa présence dans nos vies et de ses évolutions politiques, sociales, économiques, esthétiques. Organisé en planches visuelles, il déploie une mémoire collective autour de cet aliment de base, passant de sa fabrication à ses usages les plus dérivées. [source éditeur] Permalink : http://www.noccan.org/cla/opac_css/index.php?lvl=notice_display&id=5405 Notre pain quotidien [texte imprimé] / Lalie Thébault Maviel, Auteur . - September Books, 2022 . - 175 p. + 1 feuil. : ill. en coul. ; 30 x 21 cm.
ISBN : 978-2-490-57209-0 : 30 EUR
Langues : Français (fre)
Tags : Collectionneurs et collections – Pain Aliments Photographies Résumé : « Il y a le pain religieux que l’on bénit, le pain social que l’on met sur la table, le pain politique qui provoque des révoltes, le pain touristique que l’on porte sous le bras, le pain gastronomique que l’on accommode de milles façons. Le pain est davantage porteur de sens que de connaissance. » Marie Astier, "Quel pain voulons-nous ?", Edition du Seuil, Septembre 2016. Le livre Notre pain quotidien se présente comme une encyclopédie lacunaire et subjective du pain, qui rend compte de sa présence dans nos vies et de ses évolutions politiques, sociales, économiques, esthétiques. Organisé en planches visuelles, il déploie une mémoire collective autour de cet aliment de base, passant de sa fabrication à ses usages les plus dérivées. [source éditeur] Permalink : http://www.noccan.org/cla/opac_css/index.php?lvl=notice_display&id=5405 Réservation
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Titre : L'ornithorynque, la mangouste et les trois canards Titre original : Das Schnabeltier, die Manguste und die drei Enten Type de document : texte imprimé Auteurs : John Armleder, Illustrateur Editeur : Genève : Quiquandquoi Année de publication : 2002 Collection : Art y es-tu ? Importance : Non paginé Présentation : ill. Format : 29 x 21 cm ISBN/ISSN/EAN : 978-2-940317-09-7 Prix : 13.00 Catégories : Concept:Regarder / Forme:Technique:Photo Tags : Aliments chocolat oeuf Résumé : A travers des mélanges de chocolat, Ketchup, œufs et autres matières visqueuses John Armleder fait ce que l’on interdit aux enfants: il vide placard et réfrigérateur, mélange tout ce qu’il y trouve pour nous questionner sur la peinture, les histoires et l’enfance de l’art.
En ligne : http://www.ricochet-jeunes.org/auteur.asp?id=15323 Permalink : http://www.noccan.org/cla/opac_css/index.php?lvl=notice_display&id=401 L'ornithorynque, la mangouste et les trois canards = Das Schnabeltier, die Manguste und die drei Enten [texte imprimé] / John Armleder, Illustrateur . - Genève : Quiquandquoi, 2002 . - Non paginé : ill. ; 29 x 21 cm. - (Art y es-tu ?) .
ISBN : 978-2-940317-09-7 : 13.00
Catégories : Concept:Regarder / Forme:Technique:Photo Tags : Aliments chocolat oeuf Résumé : A travers des mélanges de chocolat, Ketchup, œufs et autres matières visqueuses John Armleder fait ce que l’on interdit aux enfants: il vide placard et réfrigérateur, mélange tout ce qu’il y trouve pour nous questionner sur la peinture, les histoires et l’enfance de l’art.
En ligne : http://www.ricochet-jeunes.org/auteur.asp?id=15323 Permalink : http://www.noccan.org/cla/opac_css/index.php?lvl=notice_display&id=401 Réservation
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Code-barres Cote Support Localisation Section Disponibilité 253 ARM Livre CLA livres de... Disponible To tell my real intentions, I want to eat only haze like a hermit / Katherine Longly
Titre : To tell my real intentions, I want to eat only haze like a hermit Type de document : texte imprimé Auteurs : Katherine Longly, Auteur Editeur : Auto-édition Année de publication : 2018 Importance : [280] p. Présentation : ill. en coul. Format : 20 x 14 cm Prix : 163 EUR Langues : Anglais (eng) Tags : Japon Aliments Alimentation -- Aspect psychologique Photographies Résumé : A source of pleasure or a control tool over one’s body, a way to connect with people or solitary delight, uninhibited or generating anxiety, our relationship with food can take different faces. It is intimately connected to our emotions, and acts as a subtle revealer of our social and family history. But where does it lay its foundations? Between control and pleasure, Katherine link with food is always occupied by the ghost of those childhood memories, which shape the image of oneself with force and persistence. She questioned these issues beyond her own experience, in the particular context of Japanese society, where the pressure held on people’s bodies seems more intense than elsewhere. During several residencies in the archipelago, the artist interviewed various people on the subject of their relationship with food and their bodies and recorded their stories. We can thus understand how Yuki sank into anorexia, little by little, to end up being only able to swallow liquids; how Ren managed to protect herself from the outside world thanks to her mother’s bentos; how Kenichi reacted when he was categorized “metabo” after having his waistline measured by the municipality; how Mina managed to reconnect with a missing mother while cooking with her brothers; or how Rika has been able to hide his bulimia from everyone for more than twenty years. Then Katherine asked these individuals to illustrate this relationship from their own point of view, using a disposable camera. This specific tool was chosen by design, because it doesn’t allow any control over the final image, contrasting with the apparent perfection of images posted on social media. As a result, the pictures are filled with a certain kind of photographic freshness and lead to the possibility of being surprised by images of upsetting sincerity.
Permalink : http://www.noccan.org/cla/opac_css/index.php?lvl=notice_display&id=4966 To tell my real intentions, I want to eat only haze like a hermit [texte imprimé] / Katherine Longly, Auteur . - Auto-édition, 2018 . - [280] p. : ill. en coul. ; 20 x 14 cm.
163 EUR
Langues : Anglais (eng)
Tags : Japon Aliments Alimentation -- Aspect psychologique Photographies Résumé : A source of pleasure or a control tool over one’s body, a way to connect with people or solitary delight, uninhibited or generating anxiety, our relationship with food can take different faces. It is intimately connected to our emotions, and acts as a subtle revealer of our social and family history. But where does it lay its foundations? Between control and pleasure, Katherine link with food is always occupied by the ghost of those childhood memories, which shape the image of oneself with force and persistence. She questioned these issues beyond her own experience, in the particular context of Japanese society, where the pressure held on people’s bodies seems more intense than elsewhere. During several residencies in the archipelago, the artist interviewed various people on the subject of their relationship with food and their bodies and recorded their stories. We can thus understand how Yuki sank into anorexia, little by little, to end up being only able to swallow liquids; how Ren managed to protect herself from the outside world thanks to her mother’s bentos; how Kenichi reacted when he was categorized “metabo” after having his waistline measured by the municipality; how Mina managed to reconnect with a missing mother while cooking with her brothers; or how Rika has been able to hide his bulimia from everyone for more than twenty years. Then Katherine asked these individuals to illustrate this relationship from their own point of view, using a disposable camera. This specific tool was chosen by design, because it doesn’t allow any control over the final image, contrasting with the apparent perfection of images posted on social media. As a result, the pictures are filled with a certain kind of photographic freshness and lead to the possibility of being surprised by images of upsetting sincerity.
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Code-barres Cote Support Localisation Section Disponibilité aucun exemplaire To tell my real intentions, I want to eat only haze like a hermit / Katherine Longly
Titre : To tell my real intentions, I want to eat only haze like a hermit Type de document : texte imprimé Auteurs : Katherine Longly, Auteur Editeur : Auto-édition Année de publication : 2018 Importance : [280] p. Présentation : ill. en coul. Format : 20 x 14 cm Prix : 163 EUR Langues : Anglais (eng) Tags : Japon Aliments Alimentation -- Aspect psychologique Photographies Résumé : A source of pleasure or a control tool over one’s body, a way to connect with people or solitary delight, uninhibited or generating anxiety, our relationship with food can take different faces. It is intimately connected to our emotions, and acts as a subtle revealer of our social and family history. But where does it lay its foundations? Between control and pleasure, Katherine link with food is always occupied by the ghost of those childhood memories, which shape the image of oneself with force and persistence. She questioned these issues beyond her own experience, in the particular context of Japanese society, where the pressure held on people’s bodies seems more intense than elsewhere. During several residencies in the archipelago, the artist interviewed various people on the subject of their relationship with food and their bodies and recorded their stories. We can thus understand how Yuki sank into anorexia, little by little, to end up being only able to swallow liquids; how Ren managed to protect herself from the outside world thanks to her mother’s bentos; how Kenichi reacted when he was categorized “metabo” after having his waistline measured by the municipality; how Mina managed to reconnect with a missing mother while cooking with her brothers; or how Rika has been able to hide his bulimia from everyone for more than twenty years. Then Katherine asked these individuals to illustrate this relationship from their own point of view, using a disposable camera. This specific tool was chosen by design, because it doesn’t allow any control over the final image, contrasting with the apparent perfection of images posted on social media. As a result, the pictures are filled with a certain kind of photographic freshness and lead to the possibility of being surprised by images of upsetting sincerity.
Permalink : http://www.noccan.org/cla/opac_css/index.php?lvl=notice_display&id=6371 To tell my real intentions, I want to eat only haze like a hermit [texte imprimé] / Katherine Longly, Auteur . - Auto-édition, 2018 . - [280] p. : ill. en coul. ; 20 x 14 cm.
163 EUR
Langues : Anglais (eng)
Tags : Japon Aliments Alimentation -- Aspect psychologique Photographies Résumé : A source of pleasure or a control tool over one’s body, a way to connect with people or solitary delight, uninhibited or generating anxiety, our relationship with food can take different faces. It is intimately connected to our emotions, and acts as a subtle revealer of our social and family history. But where does it lay its foundations? Between control and pleasure, Katherine link with food is always occupied by the ghost of those childhood memories, which shape the image of oneself with force and persistence. She questioned these issues beyond her own experience, in the particular context of Japanese society, where the pressure held on people’s bodies seems more intense than elsewhere. During several residencies in the archipelago, the artist interviewed various people on the subject of their relationship with food and their bodies and recorded their stories. We can thus understand how Yuki sank into anorexia, little by little, to end up being only able to swallow liquids; how Ren managed to protect herself from the outside world thanks to her mother’s bentos; how Kenichi reacted when he was categorized “metabo” after having his waistline measured by the municipality; how Mina managed to reconnect with a missing mother while cooking with her brothers; or how Rika has been able to hide his bulimia from everyone for more than twenty years. Then Katherine asked these individuals to illustrate this relationship from their own point of view, using a disposable camera. This specific tool was chosen by design, because it doesn’t allow any control over the final image, contrasting with the apparent perfection of images posted on social media. As a result, the pictures are filled with a certain kind of photographic freshness and lead to the possibility of being surprised by images of upsetting sincerity.
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